I think I get it now. I think I finally get what they mean when they say that life begins at 40. As a newbie forty-something, I have found myself revisiting life's bigger questions and callings. Like a planet on its course, I have come to the question about my purpose, about what lights up my heart and fills me with joy. Having turned 40 a year and a half ago, I find myself face-to-face with the very questions that confronted me half of my lifetime ago.
And while I do not think that life actually begins at forty, I have come to see my turning forty as the sunrise in my life. Which is to say, I am going to a new vision of life for myself. The sunlight is only just beginning to come through, so I am seeing an urgency of heart more than a clear picture. I am remembering the things that matter most to me. I am remembering the kind of work that revs me up. And in this remembering, the picture of where I come from blurs with the picture of where I am going.
American-born Tish Vallés comes to live in America after decades overseas. The blog chronicles how an accidental American returns to her birthplace and gets to know the culture, the nation and its people.
Sunday, May 27, 2012
Monday, April 16, 2012
Poem 8/30: Your Are Not Five or Fifteen
To be a dog, or a grown up. Or to be
a penguin. Aiden, who is now five,
has this power. To dive in to
an imagining so real, he becomes
the thing. He is angry at his mother
when he is forced to wear underpants.
Penguins don't wear underpants, Mama.
I told you, I am a penguin today.
He is your nephew, your heart, your moon.
And you are not five or fifteen. You are
not even twenty five, not by miles.
Now, you must dive in.
To be forty one.
To be a woman, brown woman in
this land uncertain about its new skin.
Brown woman in this world
the old man is unprepared to see.
What is the power that you hold
in this new brown world?
Is it your sex? Is it your skin?
Imagine a Sunday at its best. All
sunshine and blossoms. Imagine
all voices raised, all sights on high.
Now imagine the pulsing. Your heart.
Your heart.
7/30: Mama Warned You About Days Like This
You have grown weary of the words,
always the words. So many words, always
talking, always talking. Your mama warned
you about days like this, days when your
quick with and piercing words would crush.
Only, she never told you they would crush
your own self. Your own heart. Your weary,
wordy heart. You have said enough. Too much.
You were weak. Over here, they call it
vulnerable. Your heart calls it weak, your
heart knows you went too far. You
showed them where they can hurt you,
you let them in. You told them. Silly
girl, you said here, right here, come
and touch me right here. And now
there is no phone, the internet is down,
they are are nowhere to be found and
all you have left is a sorry ditch
you cannot talk your way out of.
Monday, April 9, 2012
April 6 Poem: How Things Work (6/30)
My father liked to point out
the mechanics of things.
On planes, we would always sit
near the wings so we could watch
as the pilot maneuvered the
flaps, opening wide to create
resistance the shutting them tight
for a smooth glide. In airports as
planes landed, we looked out
for the landing gear - those wheels
the pilot released just as the plane
touched down. When I was
learning how to drive, he showed
me the car engine, made me see
how it moved as he hit the gas or
shifted gears. He made me
change a tire, taught
me how to check the oil.
The heart is an engine and a man is
an engine and a father is an
engine. My father showed me
the mechanics of love. Most nights
till I was twelve, he would tuck
me and my sister in bed,
brush our hair out of our eyes,
kiss us on our foreheads.
I learned what tenderness
looked like on the face of man
when my father kissed me
goodnight. And later, much
later, my father taught me
forgiveness. When I broke his
heart, with my angst and my
words. When he broke my
heart with his struggles
and failings. The heart,
the eyes, the tender eyes,
the forehead kisses. My father
taught me the mechanics of
love. He took me under the hood
so I would know. So I could see.
April 5 Poem: When I Am French (5/30)
Sometimes I imagine I am French.
I picture myself in an a pied-a-tere
overlooking le jardin, sipping cafe au lait.
My voice lowers an octave, suddenly
sophisticated, spoken from luscious lips
that pucker and pout. I have a mole
on my face, a beautiful imperfection
somewhere close to my left eye.
My brows, always perfect, arch with
more conviction and my deep brown
eyes will be equal parts sadness and sass.
I am always gliding, when I am French
I gain grace and gait. Accordion
music trails wherever I go.
Wednesday, April 4, 2012
April 4 Poem: The Dance of the Left-Right Sway (4/30)
And each city is a flash,
each citizen a speck
on this train ride between
townships. Strangers sharing
this car, this air, this free wifi,
this conductor, this suspension
between to and from. Behind,
conversations of apparent
importance, spoken on a
Blackberry with urgency.
"Family emergency... No,
there will be no way to reach
me at the hospital... Yes,
I promise to be on email
as much as I can..." then
a long silence, not even a sigh.
Across me, a watermelon
coat outshone by a smile,
it must be love, a new love
she cannot contain.
She stares out the window,
as if to make a wish and
then, she is suddenly sad..
Beside me, a logbook,
an iPad, a calendar and
a calculator. It is tax season
in the East Coast and he
is both King and drone,
he leaves his armaments
only once and returns with
his third coffee.
And the speed of the
journey is swaddled in
the softest sunlight,
camouflaged by the
left-right sway. And the man
with the clicker is always
the boss. And the suit
who steps out to take
a call means business,
so does the pearl-wearing
hair flipper he is here with.
The conservative in the
seat next to me reads about
the missionary position, and
the hipster across from him
is bored. And the argyle
sweater in the middle is
pensive and the watermelon
coat is smiling again.
And each city is still
a flash, and each citizen
is less of a speck in the
sway and the rock from
New York to Boston today.
each citizen a speck
on this train ride between
townships. Strangers sharing
this car, this air, this free wifi,
this conductor, this suspension
between to and from. Behind,
conversations of apparent
importance, spoken on a
Blackberry with urgency.
"Family emergency... No,
there will be no way to reach
me at the hospital... Yes,
I promise to be on email
as much as I can..." then
a long silence, not even a sigh.
Across me, a watermelon
coat outshone by a smile,
it must be love, a new love
she cannot contain.
She stares out the window,
as if to make a wish and
then, she is suddenly sad..
Beside me, a logbook,
an iPad, a calendar and
a calculator. It is tax season
in the East Coast and he
is both King and drone,
he leaves his armaments
only once and returns with
his third coffee.
And the speed of the
journey is swaddled in
the softest sunlight,
camouflaged by the
left-right sway. And the man
with the clicker is always
the boss. And the suit
who steps out to take
a call means business,
so does the pearl-wearing
hair flipper he is here with.
The conservative in the
seat next to me reads about
the missionary position, and
the hipster across from him
is bored. And the argyle
sweater in the middle is
pensive and the watermelon
coat is smiling again.
And each city is still
a flash, and each citizen
is less of a speck in the
sway and the rock from
New York to Boston today.
April 3 Poem: When the Body is Angry (3/30)
In my case, it is the belly.
Always. As if my every hope
and fear is held there. As if
my every nerve winds around
there. It will not be ignored,
cannot be ignored. But sometimes
it is the shoulder. As if all that
I bear leans there. As if all my
struggles wrestle there.
In my case, it is also the fist,
the lashing tongue, the
uncontrollable stomp.
Once it was deeper inside, the
anger. In this case, it was
vindictive. It was plotting.
It was punishing. It required
surgeons and treatments,
It was scarring, irreversible.
When the body is angry, you listen.
You must listen. Listen
for the tiny creaks, listen
for the whispered moans, listen
for the happy humming, listen
for the fracture, listen
for the break, listen
for the fissure, listen
for the rebellion. Listen
when the clots form. Listen
when the cells conspire. Listen.
When the body is angry, listen.
You must listen.
Always. As if my every hope
and fear is held there. As if
my every nerve winds around
there. It will not be ignored,
cannot be ignored. But sometimes
it is the shoulder. As if all that
I bear leans there. As if all my
struggles wrestle there.
In my case, it is also the fist,
the lashing tongue, the
uncontrollable stomp.
Once it was deeper inside, the
anger. In this case, it was
vindictive. It was plotting.
It was punishing. It required
surgeons and treatments,
It was scarring, irreversible.
When the body is angry, you listen.
You must listen. Listen
for the tiny creaks, listen
for the whispered moans, listen
for the happy humming, listen
for the fracture, listen
for the break, listen
for the fissure, listen
for the rebellion. Listen
when the clots form. Listen
when the cells conspire. Listen.
When the body is angry, listen.
You must listen.
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