Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Wednesday, July 24, 2013

My Mother's Daughter

Tish and Chona Vallés, 1971 Buffalo NY 
Inevitably the apple and the tree mirror one another if we've played our parts well.

For someone who has written for as long as I can remember, I have not been able to write a poem solely centered on my mother. The impossible task of deconstructing then reconstructing my mother became feasible one May evening when I confessed to my girl, Lynne Procope this simple truth. To which she rightly replied "well isn't that the perfect place to start?" And of course it happened in Brooklyn, in a restaurant called Alice Arbor, at tea time like Alice -  a tradition started when Mama first introduced me to Alice and her looking glass.



Tea Time Like Alice
Alice’s Arbor, Brooklyn July 2013 

“Alice laughed. 'There's no use trying,' she said. 'One can't believe impossible things.'

‘I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast!” 
― Lewis Carroll, “Through the Looking Glass”

My mother does not have 
soft hands, does not own an 
apron. Does not temper her words.
Not made like that, we 
are made of micro minis
and straight As. Hard working 
hands and words clear as crystal.
My mother was not built to 
obey, was not built to submit.
Questioning, always questioning.
Never feeding the answer. Never
coddling, always trusting.

“Look it up.” or “What do you think 
it means?” or “How do you want 
to resolve this?” She does not 
have a green thumb, my mother. 
Not the light of our home, she was
the fire. The weapon-wielding
shorty-short wearing warrior
who raged through a bus at 
rush hour to confront the driver
who had cut-off our car and hold him
accountable for his almost 
murder of her family. 

My mother does not make
hot tsokolaté and pan de sal to
ease my pain. Not made
like that,  we are made of tea
time like Alice and riddles without 
answers. Rabbit holes leading to
rabbit holes. She did not hide things,
did not make things pretty. Wanted me
to see. Wanted me to know. 
Took me to my own limits 
so that I and I alone would say
how far was far enough.

Not made of modest things,
my mother was no brassieres
and the highest hemlines. 
She showed me that the female
form was a celebration of 
all things alive and beautiful.
She did not hide her skin, 
never apologizing for who she 
was. Brown woman in a weary
land the white man ravaged again
and again. She is no one else’s 
possession but her own. 

My mother is not made of obedient  
parts. Never acquiescing, not
to the nuns or the priests in the 
schools she went to. Not to the 
negotiators who would talk down
to the Filipino teachers union. 
Not to my Spanish father who would
have us and our raised fists safely home 
during the Martial Law protests. 
She was always subversive 
and she did not even know it. How 
could she, what with all that fight?

Not made of meek things, my mother 
will not apologize for what 
she  knows, And oh she knows
things. Brilliant woman, teacher 
of young minds and the teachers 
who would follow in the service 
of learning. “My kids.” She called them. 
My mother was everybody’s mother. 
Everybody’s teacher. She was never 
mine, but oh how I hold her, as she holds me. 
High as the moon, countless as the stars
at tea time, which is to say, always.

Monday, April 16, 2012

Poem 8/30: Your Are Not Five or Fifteen


To be a dog, or a grown up. Or to be
a penguin. Aiden, who is now five,
has this power. To dive in to 
an imagining so real, he becomes
the thing. He is angry at his mother
when he is forced to wear underpants.
Penguins don't wear underpants, Mama.
I told you, I am a penguin today.
He is your nephew, your heart, your moon.
And you are not five or fifteen. You are
not even twenty five, not by miles.
Now, you must dive in. 
To be forty one.
To be a woman, brown woman in
this land uncertain about its new skin.
Brown woman in this world 
the old man is unprepared to see.
What is the power that you hold 
in this new brown world?
Is it your sex? Is it your skin?  
Imagine a Sunday at its best. All
sunshine and blossoms. Imagine
all voices raised, all sights on high. 
Now imagine the pulsing. Your heart. 
Your heart.

Monday, April 9, 2012

April 6 Poem: How Things Work (6/30)


My father liked to point out
the mechanics of things.
On planes, we would always sit 
near the wings so we could watch
as the pilot maneuvered the
flaps, opening wide to create 
resistance the shutting them tight
for a smooth glide. In airports as
planes landed, we looked out
for the landing gear - those wheels
the pilot released just as the plane 
touched down.  When I was 
learning how to drive, he showed
me the car engine, made me see
how it moved as he hit the gas or 
shifted gears. He  made me 
change a tire, taught
me how to check the oil. 
The heart is an engine and a man is 
an engine and a father is an 
engine. My father showed me 
the mechanics of love. Most nights
till I was twelve, he would tuck
me and my sister in bed,
brush our hair out of our eyes,
kiss us on our foreheads.
I learned what tenderness 
looked like on the face of man
when my father kissed me
goodnight. And later, much 
later, my father taught me
forgiveness. When I broke his
heart, with my angst and my 
words. When he broke my
heart with his struggles
and failings. The heart,
the eyes, the tender eyes,
the forehead kisses. My father
taught me the mechanics of
love. He took me under the hood
so I would know. So I could see.

April 5 Poem: When I Am French (5/30)

Sometimes I imagine I am French.
I picture myself in an a pied-a-tere
overlooking le jardin, sipping cafe au lait.
My voice lowers an octave, suddenly
sophisticated, spoken from luscious lips
that pucker and pout. I have a mole
on my face, a beautiful imperfection
somewhere close to my left eye. 
My brows, always perfect, arch with
more conviction and my deep brown
eyes will be equal parts sadness and sass.
I am always gliding, when I am French 
I gain grace and gait. Accordion 
music trails wherever I go.

Wednesday, April 4, 2012

April 4 Poem: The Dance of the Left-Right Sway (4/30)

And each city is a flash,
each citizen a speck
on this train ride between
townships. Strangers sharing
this car, this air, this free wifi,
this conductor, this suspension
between to and from. Behind,
conversations of apparent
importance, spoken on a 
Blackberry with urgency.
"Family emergency... No,
there will be no way to reach
me at the hospital... Yes,
I promise to be on email 
as much as I can..." then
a long silence, not even a sigh.
Across me, a watermelon 
coat outshone by a smile, 
it must be love, a new love
she cannot contain.
She stares out the window,
as if to make a wish and 
then, she is suddenly sad..
Beside me, a logbook,
an iPad, a calendar and
a calculator. It is tax season
in the East Coast and he
is both King and drone,
he leaves his armaments
only once and returns with
his third coffee. 

And the speed of the 
journey is swaddled in
the softest sunlight,
camouflaged by the
left-right sway. And the man 
with the clicker is always
the boss. And the suit
who steps out to take
a call means business,
so does the pearl-wearing
hair flipper he is here with.
The conservative in the
seat next to me reads about
the missionary position, and
the hipster across from him 
is bored. And the argyle 
sweater in the middle is
pensive and the watermelon
coat is smiling again.
And each city is still 
a flash, and each citizen
is less of a speck in the 
sway and the rock from 
New York to Boston today. 

Sunday, April 1, 2012

April 1 Poem: Manang Adang (1/30)


Illuminada was always old,
her soft raisin hands
running through my hair
every morning before school,
gingerly and forcefully holding
together my innocence
and endless questions
in a perfect braid
so taught, my head
would ache till recess.

We called her "Manang Adang,"
this woman who took care of me
and my sister, Veronica. She made
our meals, did our hair, mended
our clothes, poured milk
into glasses in the mornings
and evenings. She was
our first lesson that you can
grow your love for another,
so big she becomes family.

Later, she was
also our first lesson in
betrayal and heartbreak.
First the golden spoons
my grandfather squirreled
through the war, concealed
from the Japanese and
corralled against
the bombs. Then, it
was a gold bracelet my
great grandmother
had made especially
for the arrival of her first
great grand daughter.
There, all there hiding
among her things,
the wrinkled handkerchief,
the betel nut, the rosary
she prayed every single day.

* "Manang" is a Filipino term of endermeant and respect for someone older, an older sister or someone you feel sisterly respect for.

Wednesday, March 14, 2012

with freedom comes praise, with praise comes prayer (a poem in progress)


you speak your holy words out loud on our
subway and stare your judgement at me. 
if i told you which gods i prayed to
or why, would you respect me any
more or any less? would my 
words roll differently
into your ears? if i 
praised bathala
would you
dismiss 
me?
would you
hiss at the power
of my brown god? would
you scoff at my sungodblessed
golden brown soul? if i blessed you
with my namaste would your heart open
to the abundance? would the core of you unfold?

Saturday, December 31, 2011

You're the One that I Want in 2012!

On the precipice of a new year, we are most likely going through the list of things we are hoping for. The things we desire. The things we want.

When we strip away the judgement, when we embrace our true nature we find at the core of desire is a softness that is as delicious as it is infuriating. The things we desire propel us, inspire us, enrage us to move, to live, to be. I want you to want things. I want you to listen to that desirous humming in your breath. I want you.