American-born Tish Vallés comes to live in America after decades overseas. The blog chronicles how an accidental American returns to her birthplace and gets to know the culture, the nation and its people.
Thursday, February 16, 2012
The Drama Experts
Television has been part of my life in various ways. The Philippines is the sole American 'colony' in Southeast Asia and American popular culture has always fascinated Filipinos. My friends and I grew up with (and loving!) Sesame Street and the Electric Company's lessons and entertainment.
As a communications professional, television remains a fascination, a source of insight, a form of education and a diversion. As I watch TV, I find myself shifting between someone engaging in content and someone evaluating what the content is saying about our culture. Why some shows or genres do better than others is telling us something about ourselves. Why certain personalities gain greater traction and recognition than others sheds light on what the population looks up to, even aspires for. The staying power of 'reality TV' and the shift towards a sensationalized approach to presenting the news are telling us something: Drama is here to stay.
Studies say the average person watches 4 hours of television a day. That one half of the work day, one sixth of a 24-hour period. If we apply Malcolm Gladwell's 10,000 hour rule this means that seven years of consistent TV-watching will make us experts. Experts in what, you might ask? Drama. Consider the way elections are presented, or the nature of popular political discourse. Consider the precocious nature of programs targeting young audiences. Consider the fact that the Whitehouse crashers were also Reality TV personalities. Consider the inappropriate celebration of toddler beauty programs. Consider the disconcerting displays of excess in housewife and real estate programs. Is this really the best we can give ourselves? Do we really want to raise drama experts who thrive on pettiness and hide behind caricaturization?
Sesame Street and The Electric Company opened my eyes to a world that was inclusive, compassionate, musical, cultured, ethnically diverse, articulate and curious. Words were carefully chosen, stylistic choices were made to enhance the content and not compensate for the lack thereof. There was nothing trashy, there was never dumbing down. I am not sure when the bar was lowered, or indeed how low it has shifted but I am beginning to see signs of hope. I am seeing an influx of well-written programs, complex characters and compelling plots coming onto the small screen.
Perhaps the TV industry is reclaiming their power once again. Perhaps they found their way back to Sesame Street. Perhaps they are gonna turn it on and bring us the power.
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